Jose Capili. 2004. “In Silay (poetry).” SARE (Southeast Asian Review of English: Journal of the Malaysian Commonwealth Literature and Language Studies Association), 45, Pp. 59.
In the frontier zone of Southeastern Mindanao, the general sociological observation that social reality stands “in immediate relation to the distribution of power” proves to be a much more complex and dynamic state of being. This paper outlines several recurrent conversations about a particular island location in Southern Philippines. The sizeable island of Samal in the Davao Gulf is at its closest point only 15 minutes away from Davao City. It became the “Island Garden City of Samal” in 1998, but before that surprisingly few people in Davao City were even aware that there was an island called “Samal” nearby. Traveling around the island and conducting fieldwork in 1996-1997 I encountered many kinds of people and several recurrent conversations about Samal as a place. These local discourses tell of interregional migration and movement, and reflect active local engagement with the processes of “Bisayanization” and integration within the national mainstream, globalization, capitalism, and modernization in the Davao region. The paper situates each of the different kinds of claims on the landscape within the existing ethnographic, demographic, and historical picture for the region, and ends up describing a setting that is actually many different kinds of reality at the same time. Six narratives of the landscape are discussed: Samal Island as valuable real estate; as mythic place of “giants” and “ancestral domain”; as out-of-the-way and risky, where a visitor should watch out for “poisoning”; as recently settled frontier; as a promised and prophesied land; and, finally, as a landscape also inhabited by unseen beings that are “not like us,” widely feared to be exacting taxes in human life as large scale government and multinational-led infrastructural development proceeded in 1997. The paper examines each of these in turn, as they describe and address larger issues of identity, land and power.
Jose Capili. 2004. “Palaca Grande (poetry).” SARE (Southeast Asian Review of English: Journal of the Malaysian Commonwealth Literature and Language Studies Association), 45, Pp. 56.
Jose Wendell P Capili. 2004. “Resentment (poetry).” In 100 Love Poems: Philippine Love Poetry since 1905 (Gemino Abad and Alfred Yuson, editors), Pp. 78. Quezon City: University of the Philippines Press.
Jose Wendell P Capili. 2004. “Soup (poetry).” Westerly (University of Western Australia), 49, Pp. 63.
Kasaysayan ng Filipinas at mga Institusyong Filipino
Binagong Edisyon
Ang kasalukuyang aklat ay pagtatangka ng mga may-akda na pahalagahan ang pananaw na maka-Filipino. Ito ang magiging babasahin sa kursong Kasaysayan I, tinatalakay dito ang kasaysayan ng Filipinas at mga institusyong Filipino. Kabilang dito ang mga aspektong pampolitika, pangkabuhayan, panlipunan, at pangkulturang pagyabong ng Filipinas. Inaasahan na matutuhan ng mga mag-aaral ang mga layunin ng kurso na magkaroon ng malawak na pananaw sa kasaysayan sa Filipino upang mapalahagahan ang mayamang pamana ng kalinangang Filipino; maitaguyod ang kamalayang makasaysayan sa malinaw na paglalahad sa pamamagitan ng makaagham na pamamaraan ng pag-aaral at pagsusulat ng kasaysayan; at mapatindi ang marubdob na pag-alam na kaakibat ang mataas na antas ng moral at intelektuwal na katapatan sa sarili at sa bayan.
Jose Wendell P Capili. 2003. Mabuhay to Beauty!, Pp. 165. Quezon City: Milflores Publishing.
Jose Wendell P. Capili. 2003. “Ohtaue (poetry).” Budhi: Journal of Ideas and Culture (Ateneo de Manila University), 1-2, Pp. 178.