Publications

2013
This essay interrogates the traditionally gendered Filipino female domestic helper vis-à-vis her “constructed” role in transnational relations and the idea of globalization represented in the 2007–2008 musical The Silent Soprano. Through this musical, the essay explores how globalization and transnational relations are experienced and mediated on the stage of the developing city of Manila, which claims to be a cosmopolitan one. It is posited that the representations of transnational relations and globalization are predicated within methodological nationalism, inscribing a fear of participation in a globalized and cosmopolitan living.
2012
Tiatco, Sir Anril P. 2012. “Imag(in)ing St. Lucy: The Performative and Narrative Construction of the Kuraldal in Sasmuan, Pampanga.” Philippine Humanities Review 14 (1): 129 - 155.
2011
Tiatco, Sir Anril P. 2011. “Situating Philippine Theatricals in Asia: A Critique on the Asian-ness / Philippine-ness of Philippine Theatre(s).” JATI: Journal of Southeast Asian Studies 16 (December): 133 - 152.
2010
Tiatco, Sir Anril P, and Ramolete Amihan Bonifacio. 2010. “Performing the Nation Onstage: An Afterthought on the University of the Philippines Sarsuwela Festival 2009.” Asian Theatre Journal 27 (2): 307 - 332.
2009
Tiatco, Sir Anril P. 2009. “Postscript to University of the Philippines Komedya Fiesta 2008: Prelude to a Discourse on a National Theatre.” Asian Theatre Journal 26 (2): 281 - 302.
2008
Tiatco, Sir Anril P, and Amihan Bonifacio Ramolete. 2008. “Cutud’s Ritual of Nailing on the Cross: Performance of Pain and Suffering.” Asian Theatre Journal 25 (1): 58 - 76.

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