Celebration and Remembrance in Kalibo’s Ati-Atihan: Mythmaking as Recuperation of Cultural Memory ,
at
University of Ghana, Accra, Ghana,
Friday, July 28, 2023
Paper Presentations
Philippine Catholic Festivals During the COVID-19 Pandemic: Performing Live in the “New” Normal,
at
Kuala Lumpur, Malaysia,
Friday, December 16, 2022
Staging Memory in Nana Rosa and the Comfort Woman Narrative: From the Periphery to the Center of Pacific War History. ,
at
University of Iceland, Reykjavik, Iceland,
Wednesday, June 22, 2022
The Intramuros Project: Pagpapakilala sa Dramaturhiyang Metodolohiya para sa Pagsulat ng Dulang Dokumentaryo ,
at
National Research Council of the Philippines Humanities Division Conference,
Thursday, August 26, 2021
The Rise of the Original Filipino Musical: From Komedya to a Contemporary Philippine Theatre Genre,
at
Ateneo de Manila University, Universidade de Nova de Lisboa and the National Historical Commission of the Philippines,
Monday, July 19, 2021
Performative Archive and Cultural Memory: Communal Identification in Performed History,
at
Folklore Studies Center, College of Social Sciences and Philosophy, UP Diliman, Quezon City, the Philippines,
Wednesday, March 17, 2021
Performance, Devotion, Gender: Figuring the Peñafrancia in Bicol, Philippines,
at
School of Media and Arts, University of New South Wales, Australia,
Thursday, December 3, 2020
Historiography Through Pamamanata: Cultural Memory. Pre-Contact Performances and the Catholic Philippines.,
at
Department of Philosophy and Cultural Heritage. Ca’Foscari University of Venice, Italy,,
Friday, November 20, 2020
Performance, Community and Heritage in the Philippines: Critical Ethnography and Place-Making,
at
Universitii Malaya (University of Malaysia), Kuala Lumpur, Malaysia,
Monday, December 2, 2019
Staging the Banality of Social Evil: Goethe’s Faust and the Allegory of Contemporary Philippine Politics,
at
Shanghai Theatre Academy, Shanghai,
Thursday, July 11, 2019