Sir Anril P. Tiatco and Bryan L. Viray. 2019. “From Revolution to Figuration: A Genealogy of Protest Performances in the Philippines.” In Routledge Companion to Theatre and Politics, ed. by Peter Eckersall and Helena Graham, Chapter 20: Pp. 89-92. London and New York: Routledge.

Bryan L. Viray. 2019. “Greeting the Virgin Mary: The Dancerly Attitudes of the Bati in Salubong.” Narrativizing Dancing Bodies: Journal of English Studies and Comparative Literature, 18, 1, Pp. 83 – 112. Publisher's Version

Sir Anril Tiatco, Jem R. Javier, and Bryan L. Viray. 2019. “The Philippine Performance Archive on Cultural Performances: The Archive as a Performative Cultural Memory and Pedagogy.” In Digital Humanities and New Ways of Teaching, ed. by Ann Wing-bo Tso, Chapter 3: Pp. 33-52. Singapore: Springer.

Sir Anril P. Tiatco and Bryan L. Viray. 6/29/2018. “Performing Human Rights: Pista Rizalina’s Interrogation of Martial Law, Extra Judicial-Killings and Historical Revisionism at the Cultural Center of the Philippines.” JATI: Journal of Southeast Asian Studies, 23, 1, Pp. 215-239. Publisher's Version

Bryan L. Viray. 2018. “Annotation/Review of "The Comedia (Moro-Moro) Re-Discovered by Felicidad M. Mendoza".” In CCP Encyclopedia of Philippine Art, ed. by Nicanor G. Tiongson, 2nd ed., Vol. 9 (Theatre): Pp. 471-472. Manila: Cultural Center of the Philippines.

Walter Ang, Sir Anril P. Tiatco, and Bryan L. Viray. 2018. “Philippine Theater During the Fifth Republic (1986 Onward).” In CCP Encyclopedia of Philippine Art, ed. by Nicanor G. Tiongson, 2nd ed., Vol. 9 (Theatre): Pp. 82-99. Manila: Cultural Center of the Philippines.

Bryan L. Viray. 2018. “Tubong (Forms and Types).” In CCP Encyclopedia of Philippine Art, ed. by Nicanor G. Tiongson, 2nd ed., Vol. 9 (Theatre): Pp. 201-203. Manila: Cultural Center of the Philippines.

Joi Barrios. Updated Bryan Viray. 2018. “Street Theatre (Forms and Types).” In CCP Encyclopedia of Philippine Art, ed. by Nicanor G. Tiongson, 2nd ed., Vol. 9 (Theatre): Pp. 194-200. Manila: Cultural Center of the Philippines.

Doreen Fernandez. Update Bryan L. Viray. Notes Jina Umali and Galileo Zafra. 2018. “Training in Theater.” In CCP Encyclopedia of Philippine Art, ed. by Nicanor G. Tiongson, 2nd ed., Vol. 9 (Theatre): Pp. 275-278. Manila: Cultural Center of the Philippines.

Bryan L. Viray. 2017. “Bodies and/in Performance Research.” UPDate Magazine Vol. 4 (2), Pp. 16-21.

Bryan L Viray. 2016. “Where is the Crown? : Dancing the Putong/Tubong on Stage.” Philippine Humanities Review, 18, 1, Pp. 215-239. Publisher's Version

2015. “Choreomundus / Craig / Fanny.” Case of Emergency: Emergent Writings on Live Art and Performance. Theatre Academy, University of the Arts Helsinki, Finland: ed. by Frankovich, D., Gullichsen, H.M., Von Nissinen, V., and D.S. Hernandez.

Bryan L Viray. 2015. “Tubong/Putong as a Ritual of Healing, Thanksgiving, and Veneration.” AghamTao: Journal of the Ugnayang Pang-Agham Tao, Inc. (UGAT) , 24, Pp. 105 – 128. Publisher's Version