
<?xml version="1.0" encoding="UTF-8"?><xml><records><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Tiatco, Sir Anril P.</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Floraime Oliveros Pantaleta</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Theatre Criticism, Wherefore Art Thou?”: The Where and the Why of Theatre Criticism</style></title><secondary-title><style face="normal" font="default" size="100%">Hulagway: Bahay na Salita, Balai ng Gunita</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2022</style></year></dates><publisher><style face="normal" font="default" size="100%">National Commission for Culture and the Arts</style></publisher><pub-location><style face="normal" font="default" size="100%">Manila</style></pub-location><pages><style face="normal" font="default" size="100%">262 - 266</style></pages><language><style face="normal" font="default" size="100%">eng</style></language></record></records></xml>