
<?xml version="1.0" encoding="UTF-8"?><xml><records><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Tiatco, Sir Anril P.</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Laura MacDonald</style></author><author><style face="normal" font="default" size="100%">William Everett</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Performing Like a Concert King or a Queen: Producing Original Filipino Musicals</style></title><secondary-title><style face="normal" font="default" size="100%">The Palgrave Handbook to Musical Theatre Producers</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2017</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">https://link.springer.com/chapter/10.1057/978-1-137-43308-4_46</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Palgrave Macmillan</style></publisher><pub-location><style face="normal" font="default" size="100%">New York</style></pub-location><pages><style face="normal" font="default" size="100%">449-458</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><abstract><style face="normal" font="default" size="100%">A number of companies have become the gatekeepers of the Original Filipino Musical (OFM), such as Trumpets, Spotlight Artists Center, and Musical Theatre Philippines. These companies are strongly influenced by the mega-musical genre, and draw on a range of Filipino source material, including a gay comic book superhero (ZsaZsa Zeturnah, ze Muzical), an eighteenth-century Philippine comedia (Orosman at Zafira), and a novel by the nineteenth-century Filipino writer and nationalist José Rizal (Noli me Tangere).</style></abstract></record></records></xml>