
<?xml version="1.0" encoding="UTF-8"?><xml><records><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Tiatco, Sir Anril P.</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Laura MacDonald</style></author><author><style face="normal" font="default" size="100%">William Everett</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">My American Dream’: Dreaming of Broadway and West End in the Philippines</style></title><secondary-title><style face="normal" font="default" size="100%">The Palgrave Handbook of Musical Theatre Producers</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2017</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">https://link.springer.com/chapter/10.1057%2F978-1-137-43308-4_33</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Palgrave Macmillan</style></publisher><pub-location><style face="normal" font="default" size="100%">New York</style></pub-location><pages><style face="normal" font="default" size="100%">333-342</style></pages><language><style face="normal" font="default" size="100%">eng</style></language><abstract><style face="normal" font="default" size="100%">Training actors in English-language theatre since 1967, Repertory Philippines is one of the major producers of musical theatre in Manila. Since the launch of Atlantis Productions in 1999, these two companies have dominated Filipino musical theatre. Part of the companies’ vibrancy comes from their occasional battles to license productions of the same British and American musicals.</style></abstract></record></records></xml>