
<?xml version="1.0" encoding="UTF-8"?><xml><records><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Lugue, Mark Louie L.</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">Shrouded by Darkness: Obscurity as Nexus, Retrospective as Apparatus</style></title><secondary-title><style face="normal" font="default" size="100%">Writing Presently</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2019</style></year></dates><urls><web-urls><url><style face="normal" font="default" size="100%">https://pcan.org.ph/wp-content/uploads/2020/12/writing-presently_color.pdf</style></url></web-urls></urls><publisher><style face="normal" font="default" size="100%">Philippine Contemporary Art Network and Jorge B. Vargas Museum and Filipiniana Research Center</style></publisher><pub-location><style face="normal" font="default" size="100%">Quezon City</style></pub-location><language><style face="normal" font="default" size="100%">eng</style></language><abstract><style face="normal" font="default" size="100%">Mobilizing the concepts of aenigma and nostalgia, the analyses of Gelvezon-Téqui’s printmaking practice and retrospective exhibition in 2020, respectively, enabled the openness to the potentials of obscurity in relaying contesting and complicating discourses on how phenomena in sociality, particularly patronage and resistance, are dominantly understood.</style></abstract></record></records></xml>