
@article {3967,
	title = {The Colonial Sugar Industry in Indonesia and the Philippines: A Comparative Perspective},
	journal = {Paramita: Historical Studies Journal},
	volume = {33},
	number = {2},
	year = {2023},
	abstract = {The sugar industry played a significant role in the colonial economies of Indonesia and the Philippines. Growing the same commodity for the global market, the conditions under which the sugar industry operated in the two places were quite different. Using historical methods and drawing upon secondary sources, this article compares the colonial sugar industry\&nbsp;in\&nbsp;Indonesia with particular reference to Java and the Philippines between 1890 and 1940. Unlike the case of Indonesia, where the sugar industry operated in densely populated lowland areas, the Philippine\&nbsp;sugar industry was established in a sparsely populated region. However, the sugar producers in the two countries took various measures to make their ventures more efficient and competitive. This article will outline broadly the early development of the sugar industry in Java and the Philippines, followed by a discussion on the choice of production technology and the performance of the sugar industry in the interwar period to provide a better understanding of the different development of the sugar industry in Java and the Philippines. The sugar industry in Java was more successful in improving its productivity and efficiency, making the industry more competitive than the Philippines. However, the sugar industry in the two countries had different destinies when the global crises hit hard in the 1930s. Only because of the preferential treatment obtained in the American market did the less efficient sugar industry in the Philippines survive during the Depression. Meanwhile, Java{\textquoteright}s more efficient sugar industry collapsed due to the unfair protection policy in the world sugar market.},
	url = {https://journal.unnes.ac.id/nju/index.php/paramita/rt/metadata/46347/0 },
	author = {Nawiyanto Nawiyanto and Jose Wendell Capili and Nina Mutiara Calvaryni}
}
@article {3802,
	title = {Remembering Manong Frankie in Tokyo},
	journal = {Tomas (Special Issue On F. Sionil Jose)},
	volume = {3},
	number = {4A},
	year = {2023},
	pages = {21-22},
	url = {https://tomas.ust.edu.ph/archive/volume-3-issue-4a/?fbclid=IwAR129fPVhXBtbjvTmXW0fwQNou3SNZ3_VCXgU7ameRF6OvOQTZL0u2fs0Gk},
	author = {Jose Wendell P. Capili}
}
@inbook {3715,
	title = {Pagkamulat Bilang Isang Mag-aaral sa Inglatera},
	booktitle = {Banwa at Layag: Antolohiya ng mga Kuwentong Paglalakbay ng mga Pilipino sa Ibayong Dagat (ed. Axle Christien Tugano)},
	year = {2023},
	pages = {223-226},
	publisher = {Limbagang Pangkasaysayan},
	organization = {Limbagang Pangkasaysayan},
	address = {Manila},
	author = {Jose Wendell Capili}
}
@inbook {3654,
	title = {Where I lived},
	booktitle = {The Lives of a Filipino/a High School Student:  Anthology of Personal Essays on High School in the Philippines (Rolando B. Tolentino, Joselito De Los Reyes, and Ferdinand Pisigan Jarin, eds.)},
	year = {2022},
	publisher = {University of Santo Tomas Publishing House},
	organization = {University of Santo Tomas Publishing House},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@article {3653,
	title = {Lumbera (poetry)},
	journal = {Tomas (Special Issue on Bienvenido Lumbera)},
	volume = {3},
	number = {3a},
	year = {2022},
	url = {https://tomas.ust.edu.ph/wp-content/uploads/2022/11/04.pdf},
	author = {Jose Wendell P. Capili}
}
@inbook {3548,
	title = {Along the Singapore River},
	booktitle = {Get Luckier: An Anthology of Philippine and Singapore Writings 2 (Edited by Migs Bravo-Dutt, Claire Betita de Guzman, Eric Valles and Aaron Lee Soon Yong)},
	year = {2022},
	pages = {140-141},
	publisher = {Poetry Festival Singapore},
	organization = {Poetry Festival Singapore},
	edition = {1st },
	address = {Singapore },
	author = {Jose Wendell P. Capili}
}
@article {3547,
	title = {Trains},
	journal = {Philippines Graphic Reader},
	number = {6},
	year = {2022},
	pages = {23},
	url = {https://philippinesgraphic.com.ph/2022/09/05/from-seaward-and-other-poems/},
	author = {Jose Wendell P. Capili}
}
@article {3546,
	title = {Seaward},
	journal = {Philippines Graphic Reader},
	number = {6},
	year = {2022},
	pages = {22},
	url = {https://philippinesgraphic.com.ph/2022/09/05/from-seaward-and-other-poems/},
	author = {Jose Wendell P. Capili}
}
@article {3545,
	title = {Reclaiming Estrella Alfon: Magnificent Pioneer Woman},
	journal = {Philippines Graphic},
	volume = {33},
	number = {1},
	year = {2022},
	pages = {28-35},
	url = {https://philippinesgraphic.com.ph/2022/08/16/reclaiming-estrella-alfon-magnificent-pioneer-woman/},
	author = {Jose Wendell P. Capili}
}
@article {3184,
	title = {Dalawang Antolohiya, Isang Kasaysayang Pampanitikan: Ilang Tala sa Likod ng Tatlong Aklat Tungkol sa mga Filipinong Manunulat sa Australia},
	journal = {Katipunan: Journal ng mga Pag-aaral sa Wika, Panitikan, Sining at Kulturang Filipino },
	number = {8 },
	year = {2021},
	pages = {125-143},
	abstract = {https://ajol.ateneo.edu/katipunan},
	url = {https://ajol.ateneo.edu/katipunan/articles/539/6917},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2030,
	title = {UP In Popular Culture (POP-UP): Alumni in Pageantry},
	journal = {Carillon (July 2018-May 2019)},
	number = {3},
	year = {2019},
	pages = {34-35},
	author = {Jose Wendell P. Capili}
}
@inbook {1900,
	title = {Konteksto at Diskurso},
	booktitle = {Sa Madaling Salita: Kasaysayan at Pag-unlad ng Wikang Pambansa (Rommel B. Rodriguez at Choy S. Pangilinan, mga editor)},
	year = {2019},
	pages = {78-88},
	publisher = {Sentro ng Wikang Filipino-UP Diliman},
	organization = {Sentro ng Wikang Filipino-UP Diliman},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@inbook {1835,
	title = {Hugging the Shore},
	booktitle = {The Achieve Of, The Mastery: Filipino Poetry and Verse from English, mid-{\textquoteright}90s to 2016 (Gemino H. Abad  and Mookie Katigbak-Lacuesta, editors)},
	volume = {II},
	year = {2018},
	pages = {18 },
	publisher = {University of the Philippines Press},
	organization = {University of the Philippines Press},
	edition = {1st},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@inbook {1834,
	title = {Resentment},
	booktitle = {The Achieve Of, The Mastery: Filipino Poetry and Verse from English, mid-{\textquoteright}90s to 2016 (Gemino H. Abad  and Mookie Katigbak-Lacuesta, editors)},
	volume = {II},
	year = {2018},
	pages = {17},
	publisher = {University of the Philippines Press},
	organization = {University of the Philippines Press},
	edition = {1st},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {1826,
	title = {UP @ the movies},
	journal = {Carillon},
	number = {2 (January-June 2018)},
	year = {2018},
	pages = {24-25},
	author = {Jose Wendell P. Capili}
}
@article {1825,
	title = {Contemporary Production Processes: Restructuring our Understanding of Philippine Telenovelas vis-a-vis Koreanovelas},
	journal = {HanPil (한필): Occasional Papers on Korea and the Philippines},
	volume = {1},
	number = {March 2017},
	year = {2017},
	pages = {137-141},
	author = {Jose Wendell P. Capili}
}
@article {1824,
	title = {Pan-Asian sports and the emergence of modern Asia, 1913-1974 by Stefan Huebner (review)},
	journal = {Social Science Diliman},
	volume = {13},
	number = {1},
	year = {2017},
	pages = {78-81},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {1823,
	title = {Raising UP{\textquoteright}s Image in Hong Kong},
	journal = {Carillon},
	number = {1 (June-December 2017)},
	year = {2017},
	pages = {20-21},
	author = {Jose Wendell P. Capili}
}
@inbook {2591,
	title = {Birds (poem)},
	booktitle = {World Poetry Yearbook 2015},
	year = {2016},
	pages = {261},
	publisher = {Earth Culture Press},
	organization = {Earth Culture Press},
	address = {Chongqing, People{\textquoteright}s Republic of China},
	author = {Jose Wendell P. Capili}
}
@inbook {2590,
	title = {Trains (poem) 
 
 },
	booktitle = {World Poetry Yearbook 2015},
	year = {2016},
	pages = {260},
	publisher = {Earth Culture Press},
	organization = {Earth Culture Press},
	address = {Chongqing, People{\textquoteright}s Republic of China},
	author = {Jose Wendell P. Capili}
}
@inbook {2520,
	title = {Cronulla Beach (poetry)},
	booktitle = {21st Century Literature (Marikit Alto-Uychoco, editor)},
	year = {2016},
	pages = {50},
	publisher = {Rex Book Store},
	organization = {Rex Book Store},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {1822,
	title = {The UP Faculty Center: A Home to National Artists, National Scientists and highly-acclaimed luminaries},
	journal = {UPDate Magazine},
	volume = {3},
	number = {1-4 (January-June 2016)},
	year = {2016},
	pages = {14-15, 24},
	author = {Jose Wendell P. Capili}
}
@book {1301,
	title = {Migrations and Mediations: The Emergence of Southeast Asian Diaspora Writers in Australia (1972-2007)},
	year = {2016},
	publisher = {University of the Philippines Press},
	organization = {University of the Philippines Press},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@inbook {1300,
	title = {Remembering the dead},
	booktitle = {World Poetry Yearbook 2014},
	year = {2015},
	pages = {293},
	publisher = {Earth Culture Press},
	organization = {Earth Culture Press},
	address = {Chongqing, People{\textquoteright}s Republic of China},
	author = {Jose Wendell P. Capili}
}
@inbook {1299,
	title = {{\textquotedblleft}Hometown{\textquotedblright}},
	booktitle = {World Poetry Yearbook 2014},
	year = {2015},
	pages = {293},
	publisher = {Earth Culture Press},
	organization = {Earth Culture Press},
	address = {Chongqing, People{\textquoteright}s Republic of China},
	author = {Jose Wendell P. Capili}
}
@inbook {1298,
	title = {Ember},
	booktitle = {World Poetry Yearbook 2014},
	year = {2015},
	pages = {292},
	publisher = {Earth Culture Press, 2015},
	organization = {Earth Culture Press, 2015},
	address = {Chongqing, People{\textquoteright}s Republic of China},
	author = {Jose Wendell P. Capili}
}
@inbook {1039,
	title = {Hugging the Shore},
	booktitle = {World Poetry Yearbook 2013},
	year = {2014},
	pages = {254},
	publisher = {The International Poetry Translation and Research Centre (IPTRC)},
	organization = {The International Poetry Translation and Research Centre (IPTRC)},
	address = {Chongqing City (P.R.China)},
	author = {Jose Wendell P. Capili}
}
@inbook {1038,
	title = {Cadenza},
	booktitle = {World Poetry Yearbook 2013},
	year = {2014},
	pages = {253},
	publisher = {The International Poetry Translation and Research Centre (IPTRC)},
	organization = {The International Poetry Translation and Research Centre (IPTRC)},
	address = {Chongqing City (P.R.China)},
	author = {Jose Wendell P. Capili}
}
@inbook {667,
	title = {Migrancy },
	booktitle = {The Second Genesis: An Anthology of Contemporary World Poetry (Edited by Anuraag Sharma)},
	year = {2014},
	pages = {318},
	publisher = {Arawlii, },
	organization = {Arawlii, },
	address = {Ajmer (India)},
	author = {Jose Wendell P. Capili}
}
@inbook {666,
	title = {Cronulla Beach },
	booktitle = {The Second Genesis: An Anthology of Contemporary World Poetry (Edited by Anuraag Sharma)},
	year = {2014},
	pages = {317},
	publisher = {Arawlii },
	organization = {Arawlii },
	address = {Ajmer (India)},
	author = {Jose Wendell P. Capili}
}
@article {2516,
	title = {Hugging the Shore (poetry)},
	journal = {Sands and Coral (Celebration: An Anthology to Commemorate the Fiftieth Anniversary of the Silliman University National Writers{\textquoteright} Workshop, Edited by Ian Rosales Casocot)},
	year = {2013},
	pages = {244},
	author = {Jose Wendell P. Capili}
}
@journal {555,
	title = {Review of America{\textquoteright}s Informal Empires: Philippines and Japan (Edited by Kiichi Fujiwara and Yoshiko Nagano)
 },
	journal = {Published in Asian Studies: Journal of Critical Perspectives on Asia, 49:2 (2013) },
	volume = {49},
	number = {2},
	year = {2013},
	pages = {182-185},
	abstract = {Despite attempts to problematize and reconsider the roles of commerce and culture in shaping America{\textquoteright}s informal empires in West Pacific, it remains a puzzle why, after World War II, America privileged Japan{\textemdash}{\textquotedblleft}the enemy{\textquotedblright}{\textemdash}over the Philippines{\textemdash}{\textquotedblleft}the friend{\textquotedblright} and erstwhile colony. Japan{\textquoteright}s economy grew by leaps and bounds, enough to create a dent in global affairs during the latter half of the twentieth century. In sharp contrast, America chose to maintain the Philippine ruling elite, which contributed greatly to political instability, economic collapse and over-all sorry state throughout the archipelago from the late 1960s onwards. Still, Fujiwara and Nagano{\textquoteright}s book creates an opening for future scholars to explore many possible paradigms of understanding on the subject. Many other hows and whys of informal empires deserve to be constructed, deconstructed and reconstructed in the context of America{\textquoteright}s dangerous precedents.},
	author = {Jose Wendell P. Capili}
}
@inbook {2515,
	title = {Tech me in: Facilitating New Technologies in Higher Education in the Philippines},
	booktitle = {Nation and Culture (Thelma Enage Arambulo, F. Sionil Jose, and Edgardo J. Angara, editors)},
	year = {2012},
	pages = {189-194},
	publisher = {Solidaridad Publishing House},
	organization = {Solidaridad Publishing House},
	address = {Manila},
	author = {Jose Wendell P. Capili}
}
@inbook {2514,
	title = {The University of Santo Tomas and the Early Years of Creative Writing in the Philippines: Latorena, Sionil Jose, Dimalanta},
	booktitle = {Heritage and History of the University of Santo Tomas},
	year = {2012},
	pages = {133-141},
	publisher = {University of Santo Tomas Publishing House},
	organization = {University of Santo Tomas Publishing House},
	address = {Manila},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {697,
	title = {Early literary figures and professors of the English department},
	journal = {The University of the Philippines Forum (November-December 2012)},
	volume = {13},
	number = {5},
	year = {2012},
	pages = {22-23},
	author = {Jose Wendell P. Capili}
}
@inbook {2519,
	title = {Carnivalesque (poetry)},
	booktitle = {Under the Storm: An Anthology of Contemporary Philippine Poetry (Khavn de la Cruz and Joel M. Toledo, editors)},
	year = {2011},
	pages = {73},
	publisher = {MOV International Film, Music and Literature Festival and The Antithesis Collective},
	organization = {MOV International Film, Music and Literature Festival and The Antithesis Collective},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@inbook {2518,
	title = {Pahimakas at Pagdadalamhati},
	booktitle = {Dadaanin (Alwyn Aguirre at Nonon Carandang , mga patnugot)},
	year = {2011},
	publisher = {Anvil Publishing / De La Salle University },
	organization = {Anvil Publishing / De La Salle University },
	address = {Pasig},
	author = {Jose Wendell P. Capili}
}
@article {2517,
	title = {Sampaloc and Pageantry},
	journal = {Dapitan},
	volume = {1},
	number = {6},
	year = {2011},
	pages = {85-88},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {1331,
	title = {Hugging the Shore (poetry)},
	journal = {Philippines Free Press (9 July 2011)},
	volume = {102},
	number = {28},
	year = {2011},
	pages = {39},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {1330,
	title = {Cronulla Beach (poetry)},
	journal = {Philippines Free Press (9 July 2011)},
	volume = {102},
	number = {28},
	year = {2011},
	pages = {30},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {696,
	title = {S.P. Lopez and the Mentoring of Tom Inglis Moore},
	journal = {The University of the Philippines Forum (July-August 2011)},
	volume = {12},
	number = {4},
	year = {2011},
	pages = {14-15},
	author = {Jose Wendell P. Capili}
}
@inbook {2522,
	title = {環境と文化の多様性：オーストラリアの東南アジアの作家の事例},
	booktitle = { 環境と文学：言葉で何ができるか？},
	year = {2010},
	pages = {8-11 (English), 30-32 (Japanese)},
	publisher = {Japan P.E.N. Club },
	organization = {Japan P.E.N. Club },
	address = {Tokyo},
	author = {カピリ・ ホセ}
}
@article {2521,
	title = {A World Waiting to be Made: Literary Alignments and Associations between Southeast Asia and Australia before 1972},
	journal = {Diliman Review },
	volume = {57},
	number = {1-4 },
	year = {2010},
	pages = {79-113},
	author = {Jose Wendell P. Capili}
}
@inbook {690,
	title = {素晴らしいオーストラリアの風景},
	booktitle = {詩のアンソロジー},
	year = {2010},
	pages = {18-19},
	publisher = {Japan PEN Club},
	organization = {Japan PEN Club},
	address = {Tokyo},
	author = {カピリ・ ホセ}
}
@newspaperarticle {2523,
	title = {Stratification},
	journal = {Business Mirror},
	number = {23 February },
	year = {2009},
	pages = {1},
	author = {Jose Wendell P. Capili}
}
@article {2726,
	title = {The Year of Philippine Australian Writing},
	journal = {Kasama },
	volume = {22},
	number = {3},
	year = {2008},
	url = {https://cpcabrisbane.org/Kasama/2008/V22},
	author = {Erwin Cabucos}
}
@webarticle {2725,
	title = {Salu-Salo : In Conversation with Filipinos : An Anthology of Philippine-Australian Writings },
	journal = {Austlit},
	year = {2008},
	url = {Salu-Salo : In Conversation with Filipinos : An Anthology of Philippine-Australian Writings },
	editor = {Jose Wendell Capili and John Cheeseman}
}
@inbook {2527,
	title = {Cadenza (poetry)},
	booktitle = {Sansiglong Mahigit ng Makabagong Tula sa Filipinas, Edited by Virgilio S. Almario)},
	year = {2008},
	pages = {271},
	publisher = {Anvil Publishing},
	organization = {Anvil Publishing},
	address = {Pasig},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {2526,
	title = {High School Teachers},
	journal = {Business Mirror},
	number = {10 November},
	year = {2008},
	pages = {1},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {2525,
	title = {First Teachers or: How I learned to read, speak and write},
	journal = {Business Mirror},
	number = {24 November},
	year = {2008},
	pages = {1},
	author = {Jose Wendell P. Capili}
}
@inbook {2524,
	title = {Site as Memory: Relocating a Sampaloc Boyhood from Poetry to Creative Nonfiction},
	booktitle = {Writing to the Future: Poetika at Politika ng Malikhaing Pagsulat (Edited by Rolando Tolentino)},
	year = {2008},
	pages = {45-60},
	publisher = {National Commission on Culture and the Arts},
	organization = {National Commission on Culture and the Arts},
	address = {Manila},
	author = {Jose Wendell P. Capili}
}
@inbook {2509,
	title = {The Emergence of Filipino Diaspora Writers in Australia},
	booktitle = {Salu-Salo: In Conversation with Filipinos},
	year = {2008},
	pages = {11-39},
	publisher = {Casula Powerhouse and Blacktown Arts Centre},
	organization = {Casula Powerhouse and Blacktown Arts Centre},
	address = {Casula, NSW and Blacktown, NSW},
	author = {Jose Wendell P. Capili}
}
@inbook {672,
	title = {In One House: Southeast Asian Diaspora Writers in Australia and the Role of Literary Awards, Grants and Fellowships},
	booktitle = {Philippine Studies: Have We Gone Beyond St. Louis? (Priscelina Patajo Legasto, editor)},
	year = {2008},
	pages = {620-650},
	publisher = {University of the Philippines Press},
	organization = {University of the Philippines Press},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@book {546,
	title = {Si Lupito at ang Barrio Sirkero / Lupito and the circus village.},
	year = {2008},
	pages = {26},
	publisher = {Canvas},
	organization = {Canvas},
	address = {Taguig},
	author = {Rowald Almazar (Story) and Jose Wendell Capili (Translation) and John Jack Wigley (Translation) and José Santos III (Art)}
}
@book {544,
	title = {Salu-Salo : In Conversation with Filipinos : An Anthology of Philippine-Australian Writings},
	year = {2008},
	pages = {170},
	publisher = {Casula Powerhouse and Blacktown Arts Centre},
	organization = {Casula Powerhouse and Blacktown Arts Centre},
	address = {Casula and Blacktown, New South Wales (Australia)},
	editor = {Jose Wendell P. Capili and John Cheeseman}
}
@inbook {2508,
	title = {Southeast Asian Diaspora Writers in Australia and the Consequence of Community-based Initiatives},
	booktitle = {From the Editors: Migrant Communities and Emerging Australian Literature},
	year = {2007},
	pages = {7-21},
	publisher = {Casula Powerhouse },
	organization = {Casula Powerhouse },
	address = {Liverpool, NSW},
	author = {Jose Wendell P. Capili}
}
@inbook {1192,
	title = {The Great Australian Landscape},
	booktitle = {At Home in Unhomeliness: The Philippine PEN Anthology of Postcolonial Poetry in English },
	year = {2007},
	pages = {13},
	publisher = {Philippine Center of the International PEN and University of Santo Tomas Publishing House},
	organization = {Philippine Center of the International PEN and University of Santo Tomas Publishing House},
	address = {Manila},
	author = {Jose Wendell P. Capili}
}
@inbook {1191,
	title = {Subjectivity},
	booktitle = {At Home in Unhomeliness: The Philippine PEN Anthology of Postcolonial Poetry in English},
	year = {2007},
	pages = {16},
	publisher = {Philippine Center of the International PEN and University of Santo Tomas Publishing House},
	organization = {Philippine Center of the International PEN and University of Santo Tomas Publishing House},
	address = {Manila},
	author = {Jose Wendell P. Capili}
}
@inbook {1188,
	title = {Gorilla Bay},
	booktitle = {At Home in Unhomeliness: The Philippine PEN Anthology of Postcolonial Poetry in English},
	year = {2007},
	pages = {14},
	publisher = {Philippine Center of the International PEN and University of Santo Tomas Publishing House},
	organization = {Philippine Center of the International PEN and University of Santo Tomas Publishing House},
	address = {Manila},
	author = {Jose Wendell P. Capili}
}
@book {551,
	title = {From the Editors : Migrant Communities and Emerging Australian Literature},
	year = {2007},
	pages = {53},
	publisher = {Casula Powerhouse },
	organization = {Casula Powerhouse },
	address = {Liverpool},
	editor = {Jose Wendell P. Capili}
}
@mastersthesis {543,
	title = {Migrations and mediations : the emergence of Southeast Asian diaspora writers in Australia, 1972-2006},
	year = {2007},
	pages = {53},
	school = {Casula Powerhouse },
	type = {PhD thesis},
	address = {Liverpool},
	abstract = {Australian literature -- Minority authors -- History and criticism.
Authors, Southeast Asian -- Australia.
Immigrants{\textquoteright} writings, Australian -- History and criticism.

http://trove.nla.gov.au/work/180619562?selectedversion=NBD51230223


Title	Migrations and Mediations: The Emergence of Southeast Asian Diaspora Writers in Australia, 1972-2006
Author	Jose Wendell P. Capili
Publisher	Australian National University, 2007
Length	386 pages
},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {2571,
	title = {I remember Chat Silayan{\textquoteright}s Triumph (nonfiction/pop culture)},
	journal = {Philippine Daily Inquirer},
	number = {1 May},
	year = {2006},
	pages = {A2-2},
	abstract = {},
	author = {Jose Wendell P. Capili}
}
@article {2531,
	title = {Migrancy (poetry)},
	journal = {Tomas (Edited by Alfred A. Yuson)},
	volume = {10},
	year = {2006},
	pages = {21},
	author = {Jose Wendell P. Capili}
}
@article {2530,
	title = {Ascending Brindabella (poetry)},
	journal = {Tomas (Edited by Alfred A. Yuson)},
	volume = {10},
	year = {2006},
	pages = {21},
	author = {Jose Wendell P. Capili}
}
@article {2529,
	title = {Luminescence (poetry)},
	journal = {Tomas (Edited by Alfred A. Yuson)},
	volume = {10},
	year = {2006},
	pages = {20},
	author = {Jose Wendell P. Capili}
}
@article {2528,
	title = {The Great Australian Landscape (poetry)},
	journal = {Tomas (Edited by Alfred A. Yuson)},
	volume = {10},
	year = {2006},
	pages = {20},
	author = {Jose Wendell P. Capili}
}
@inbook {2599,
	title = {Incantations and Memory: Bilingual Writers from my Generation},
	booktitle = {Writ Hop: new writers speak up (Ricardo M. de Ungria and Erlinda Kintanar Alburo,editors)},
	year = {2005},
	pages = {23-40},
	publisher = {National Commission on Culture and the Arts},
	organization = {National Commission on Culture and the Arts},
	address = {Manila},
	author = {Jose Wendell P. Capili}
}
@inbook {2532,
	title = {Coping with ADHD},
	booktitle = {My Fair Maladies! (Edited by Cristina Pantoja-Hidalgo)},
	year = {2005},
	pages = {25-27},
	publisher = {Milflores Publishing},
	organization = {Milflores Publishing},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@article {681,
	title = {Relocating a Boyhood (creative nonfiction)                                                                                             
},
	journal = {Philippine Studies (Soledad Reyes, issue editor)},
	volume = {53},
	number = {2-3},
	year = {2005},
	pages = {272-289},
	author = {Jose Wendell P. Capili}
}
@article {3949,
	title = {In Silay (poetry)},
	journal = {SARE (Southeast Asian Review of English: Journal of the Malaysian Commonwealth Literature and Language Studies Association)},
	volume = {45},
	year = {2004},
	pages = {59},
	author = {Jose Capili}
}
@article {3948,
	title = {In Kanlaon (poetry)},
	journal = {SARE (Southeast Asian Review of English: Journal of the Malaysian Commonwealth Literature and Language Studies Association)},
	volume = {45},
	year = {2004},
	pages = {57-58},
	author = {Jose Capili}
}
@inbook {2533,
	title = {Jose Wendell Capili (Panayam nina Rosario Torres Yu and Alwyn C. Aguirre)},
	booktitle = {Sarilaysay: Danas at Dalumat ng Lalaking Manunulat sa Filipino (Rosario Torres-Yu at Alwyn C. Aguirre. mga patnugot)},
	year = {2004},
	pages = {105-117},
	publisher = {University of the Philippines Press},
	organization = {University of the Philippines Press},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@inbook {685,
	title = {Resentment (poetry)},
	booktitle = {100 Love Poems: Philippine Love Poetry since 1905 (Gemino Abad and Alfred Yuson, editors)},
	year = {2004},
	pages = {78},
	publisher = {University of the Philippines Press},
	organization = {University of the Philippines Press},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@article {670,
	title = {Himamaylan (poetry)},
	journal = {SARE (Southeast Asian Review of English: Journal of the Malaysian Commonwealth Literature and Language Studies Association)},
	volume = {45},
	year = {2004},
	pages = {55},
	author = {Jose Capili}
}
@article {669,
	title = {Palaca Grande (poetry)},
	journal = {SARE (Southeast Asian Review of English: Journal of the Malaysian Commonwealth Literature and Language Studies Association)},
	volume = {45},
	year = {2004},
	pages = {56},
	author = {Jose Capili}
}
@article {552,
	title = {Soup (poetry)},
	journal = {Westerly (University of Western Australia)},
	volume = {49},
	year = {2004},
	pages = {63},
	author = {Jose Wendell P. Capili}
}
@article {2593,
	title = {Burning (poem)},
	journal = {Dapitan: official literary folio of the Flame},
	volume = {1},
	number = {1},
	year = {2003},
	pages = {36},
	url = {https://books.google.com.ph/books/about/Dapitan.html?id=cMplAAAAMAAJ\&redir_esc=y},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2543,
	title = {Portraits of a Dragon},
	journal = {Mabuhay (Philippine Air Lines)},
	number = {30 March },
	year = {2003},
	pages = {Q2}
}
@newspaperarticle {2542,
	title = {Blind Escape on Angel{\textquoteright}s Wings (Review of Ellen Ongkeko{\textquoteright}s film, Angels)},
	journal = {Philippine Daily Inquirer},
	number = {12 May},
	year = {2003},
	pages = {G3},
	author = {Jose Wendell P. Capili}
}
@inbook {2541,
	title = {Talinghaga ng mga Puno (tula)},
	booktitle = {Saligan IV },
	year = {2003},
	publisher = {Sibs Publishing House Inc.},
	organization = {Sibs Publishing House Inc.},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@article {2540,
	title = {Hometown (poetry)},
	journal = {Diliman Review},
	volume = {51},
	number = {1-2},
	year = {2003},
	pages = {112},
	author = {Jose Wendell P. Capili}
}
@article {2539,
	title = {Remembering the Dead  (poetry)},
	journal = {Diliman Review},
	volume = {51},
	number = {1-2},
	year = {2003},
	pages = {112},
	author = {Jose Wendell P. Capili}
}
@article {2538,
	title = {Water Sprite (poetry)},
	journal = {Diliman Review},
	volume = {51},
	number = {1-2},
	year = {2003},
	pages = {112},
	author = {Jose Wendell P. Capili}
}
@article {2537,
	title = {Hakone-Zaiku (poetry)},
	journal = {Diliman Review},
	volume = {51},
	number = {1-2},
	year = {2003},
	pages = {113},
	author = {Jose Wendell P. Capili}
}
@article {2536,
	title = {Hometown (poetry)},
	journal = {Budhi: Journal of Ideas and Culture (Ateneo de Manila University)},
	volume = {1-2},
	year = {2003},
	pages = {177},
	author = {Jose Wendell P. Capili}
}
@article {2535,
	title = {Ohtaue (poetry)},
	journal = {Budhi: Journal of Ideas and Culture (Ateneo de Manila University)},
	volume = {1-2},
	year = {2003},
	pages = {178},
	author = {Jose Wendell P. Capili}
}
@article {2534,
	title = {Yohsuke, sa Shimokitazawa (tula)},
	journal = {Ani},
	volume = {29},
	year = {2003},
	pages = {245},
	author = {Jose Wendell P. Capili}
}
@book {542,
	title = {Mabuhay to Beauty!},
	year = {2003},
	pages = {165},
	publisher = {Milflores Publishing},
	organization = {Milflores Publishing},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@inbook {2546,
	title = {Demolisyon (tula)},
	booktitle = {Ang Aklat Likhaan ng Tula at Maikling Kuwento (Edited by Joi Barrios and Rolando B. Tolentino)},
	year = {2002},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {2545,
	title = {The {\textquoteright}Other{\textquoteright} at Cinemanila 2002{\textquoteright}s screenwriting contest },
	journal = {Philippine Daily Inquirer},
	number = {3 September},
	year = {2002},
	pages = {E7},
	author = {Jose Wendell P. Capili}
}
@inbook {2544,
	title = {Hugging the Shore (poetry)},
	booktitle = {The Likhaan Book of Poetry and Fiction 2001},
	year = {2002},
	publisher = {University of the Philippines Press},
	organization = {University of the Philippines Press},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@article {2513,
	title = {Incantations and Memory: Reading bilingual poets from my generation},
	journal = {Ani},
	volume = {28},
	year = {2002},
	pages = {116-123},
	author = {Jose Wendell P. Capili}
}
@inbook {688,
	title = {In Odawara{\textquotedblright} (poetry) },
	booktitle = {Love Gathers All: The Philippines-Singapore Anthology of Love Poetry (Aaron Lee, Alvin Pang, Ramon C. Sunico and Alfred A. Yuson, editors)},
	year = {2002},
	note = {


},
	pages = {43},
	publisher = {Ethos Press and Anvil Publishing},
	organization = {Ethos Press and Anvil Publishing},
	address = {Singapore },
	abstract = {This hefty collection of poetry by 93 Singaporean and Filipino writers pulls together a wide array of perspectives on the theme of love. Edited by Krip Yuson, Rayvi Sunico, Aaron Lee and Alvin Pang, Love Gathers All was launched in both Singapore and Manila last year. The concept for the book was born through cultural visits between the two Asian cities. Yuson notes "The initial visit by four vibrant Singaporean poets to Manila in January 2001 was reciprocated by six equally vibrant Filipino writers during the Singapore Writers{\textquoteright} Festival in September{\textellipsis}this anthology{\textellipsis} opens up new opportunities to enhance mutual consciousness and appreciation for one another{\textquoteright}s diverse and rich culture." Filipino writers with poems in Love Gathers All include Jimmy Abad, Cesar Ruiz Aquino, Cirilo Bautista, Rofel Brion, Luis Cabalquinto, J. Wendell Capili, Noelle de Jesus, Ricardo de Ungria, Ophelia Dimalanta, Luis Francia, Eric Gamalinda, J. Neil Garcia, Christine Godinez-Ortega, Rem{\'e}-Antonia Grefalda, Ramil Digal Gulle, Luisa Igloria, Marne Kilates, Rene Navarro, Jon Pineda, Danton Remoto, Nadine Sarreal, Eileen Tabios, and Rowena Torrevillas. 

http://www.oovrag.com/books/lga.shtml},
	author = {Jose Wendell P. Capili}
}
@inbook {686,
	title = {{\textquotedblleft}Soup{\textquotedblright} (poetry)
},
	booktitle = {Love Gathers All: The Philippines-Singapore Anthology of Love Poetry (Aaron Lee, Alvin Pang, Ramon C. Sunico and Alfred A. Yuson, editors)},
	year = {2002},
	pages = {125},
	publisher = {Ethos Press and Anvil Publishing},
	organization = {Ethos Press and Anvil Publishing},
	address = {Singapore },
	abstract = {This hefty collection of poetry by 93 Singaporean and Filipino writers pulls together a wide array of perspectives on the theme of love. Edited by Krip Yuson, Rayvi Sunico, Aaron Lee and Alvin Pang, Love Gathers All was launched in both Singapore and Manila last year. The concept for the book was born through cultural visits between the two Asian cities. Yuson notes "The initial visit by four vibrant Singaporean poets to Manila in January 2001 was reciprocated by six equally vibrant Filipino writers during the Singapore Writers{\textquoteright} Festival in September{\textellipsis}this anthology{\textellipsis} opens up new opportunities to enhance mutual consciousness and appreciation for one another{\textquoteright}s diverse and rich culture." Filipino writers with poems in Love Gathers All include Jimmy Abad, Cesar Ruiz Aquino, Cirilo Bautista, Rofel Brion, Luis Cabalquinto, J. Wendell Capili, Noelle de Jesus, Ricardo de Ungria, Ophelia Dimalanta, Luis Francia, Eric Gamalinda, J. Neil Garcia, Christine Godinez-Ortega, Rem{\'e}-Antonia Grefalda, Ramil Digal Gulle, Luisa Igloria, Marne Kilates, Rene Navarro, Jon Pineda, Danton Remoto, Nadine Sarreal, Eileen Tabios, and Rowena Torrevillas.

http://www.oovrag.com/books/lga.shtml},
	author = {Jose Wendell P. Capili}
}
@book {541,
	title = {Bloom and Memory: Essays on Literature, Culture and Society},
	year = {2002},
	pages = {254},
	publisher = {University of Santo Tomas Publishing House},
	organization = {University of Santo Tomas Publishing House},
	address = {Manila},
	author = {Jose Wendell P. Capili}
}
@inbook {2950,
	title = {Fresh Wind (poetry)},
	booktitle = {Beauty for Ashes: Remembering Maningning (Mario I. Miclat and Romulo P. Baquiran Jr., editors)},
	year = {2001},
	pages = {73},
	publisher = {Anvil Publishing},
	organization = {Anvil Publishing},
	address = {Pasig},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {2551,
	title = {An Entertaining and Stimulating Literary Festival (feature on the inaugural Hong Kong International Literary Festival)},
	journal = {Philippine Daily Inquirer},
	number = {9 July },
	year = {2001},
	pages = {H4},
	author = {Jose Wendell P. Capili}
}
@article {2550,
	title = {SIPI: Interview with National Artist for Sculpture Napoleon Abueva},
	journal = {Bulawan: Journal of Philippine Arts \& Culture (National Commission on Culture and the Arts)},
	volume = {1},
	number = {1},
	year = {2001},
	pages = {58-63},
	abstract = {
	
		In Focus: An Interview with National Artist for Sculpture Napoleon Abueva by\&nbsp;JOSE WENDELL P. CAPILI
	



	
		Posted online by the NCCA on 3 November 2003
	

	
		\&nbsp;
	

	
		Jose Wendell Capili (JWC):\&nbsp;Have you always been interested in pursuing a career in fine arts? What were your earliest artistic endeavors?
	

	
		Napoleon Abueva (NA):\&nbsp;As far as I can remember, save for a bust of Rizal, probably purchased in Avenida Rizal, we did not have sculptural pieces in the house.
	

	
		My career actually began when we were required to do gardening in primary school and high school. Through gardening, I made my initial contact with clay. As a child I made animal forms, especially of the carabao, out of garden clay. In my teens, I worked for Imo Ponce{\textquoteright}s machinery in Cebu where I helped build small boats and handled milling machines.
	

	
		Somewhere along the way, I got to meet artists and workers from various disciplines. I also worked part-time posting movie advertisements in street corners. In exchange, I watched movies for free. Watching films certainly expanded my vision of the universe. At some point, I became fascinated with religious images and I met Fidel Araneta who specialized in it. Araneta, by the way, was a student of National Artist Guillermo Tolentino at UP. I stayed in Cebu for two years.
	

	
		My experiences with Ponce and Araneta empowered me to experiment with almost any kind of media{\textemdash}from iron to adobe, from steel to coral. My favorite medium, though, had been Philippine hardwoods: narra, kamagong, ipil, bamboo and molave. Looking back, I think it was good that I experienced handling machinery.
	

	
		JWC:\&nbsp;What happened after Cebu?
	

	
		NA:\&nbsp;I immediately returned to my home province, Bohol. In the capital town, Tagbilaran, I was fortunate to work with Jacob Tagorda, the District Engineer of Bohol. Under Mr. Tagorda, I was assigned to the concrete fabrication area where I learned how to use concete in the construction of homes, roads, and bridges. I also did the {\textquotedblleft}lapida{\textquotedblright} and other sculptural pieces in cemeteries. I used white cement.
	

	
		Around this time, I studied high school at Rafael Palma College. When I graduated in 1949, I moved to UP Diliman. I think I belonged to the second batch of Fine Arts students who moved from the old campus in Padre Faura.
	

	
		JWC:\&nbsp;Why did you decide to study in UP?
	

	
		NA:\&nbsp;I made it to UP Fine Arts because I was strongly encouraged by my eldest brother Teodoro. He now lives in New York. He was my big influence, my father figure. He finished Political Science at UP. My brother was responsible for introducing me to Pura Villanueva, art patron and the country{\textquoteright}s first Carnival Queen in 1908 who later married pre-WWII Batangas Assemblyman Teodoro M. Kalaw.
	

	
		My brother knew Ms. Ledesma, Ms. Villanueva-Kalaw{\textquoteright}s daughter. Ms. Villanueva-Kalaw offered me a scholarship and I was able to study under the tutelage of National Artist Guillermo Tolentino. She had other scholars, many of them in the field of literature: Andres Cristobal Cruz, G.Burce Bunao and Morli Dharam. Jose Joya was my contemporary. Federico Alcuaz was there too but he had decided to study in Spain.
	

	
		JWC:\&nbsp;You lost your parents during the Second World War. How did this affect your subject-position as an artist?
	

	
		NA:\&nbsp;The experience allowed me to treat life with greater sensitivity. My father was a congressman representing Bohol. My mother, on the other hand, was the head of the Women{\textquoteright}s Auxiliary Service (WAS). They were executed by the Japanese in 1944 for supporting the guerilla forces against the Japanese invaders. The Kempetai (Japanese Military Police) separated my parents from us. The Japanese tortured my parents and forced me and my siblings to listen to their pain and agony. Later, we were taken to a cliff where my parents were rumored to have been executed.
	

	
		We sought the remains of our parents from a field of corpses and items belonging to the members of the resistance group. It was painful for me and my siblings to unearth the soiled white shirt with blue stripes, which belonged to my father. We also found a piece of my mother{\textquoteright}s dress as well as her rosary. Later, we found my parents{\textquoteright} bodies and we buried them. It was very painful. As an artist, these experiences taught me to see life in a different way. More specifically, I tried my best to look for new ways of expressing ideas as a way of dealing with the pain.
	

	
		JWC:\&nbsp;Your brother solely took care of you when your parents passed away?
	

	
		NA: We stayed with my aunt Isabel Balce. The Balces took care of me and my brother Teodoro. She originally wanted me to study at Cebu{\textquoteright}s Institute of Arts and Trades. It was my brother who insisted that I should be taking a regular high school program. In the long run, it paid off since I was able to take regular humanities courses that enriched my interest in the fine arts.
	

	
		JWC:\&nbsp;You have been so productive from the 1950s onwards, even more so after your retirement from UP Diliman. What are some of the determinants that caused these?
	

	
		NA: Perhaps, I have been blessed with good health (laughs).
	

	
		JWC:\&nbsp;Did you have influences to sustain this energy?
	

	
		NA: Guillermo Tolentino, my mentor at UP. From 1950-53, I had the good fortune of assisting my Maestro in the creation of some of his works. He was conservative since he belonged to the old, classical school. His concept and attitude towards the depiction of the human form is akin to that of the Greek sculptors during the year of Phidias, where there is always the stance of the heroic and the monumental epic in portrayal aside from faithfully interpreting the subject. Eventually, he became involved with the spiritist school. He challenged me a lot. Tolentino really abhorred distortion and when {\textquotedblleft}The Kiss of Judas{\textquotedblright} won a prize, he jokingly referred to it as {\textquotedblleft}the monster.{\textquotedblright}
	

	
		I moved on, and although we disagreed on many points, he was nevertheless encouraging. He was a very good teacher and he was very happy with what I managed to achieve.
	

	
		JWC:\&nbsp;Can you kindly explain how you became what critics refer to as {\textquotedblleft}a pioneering modernist in sculpture?{\textquotedblright}
	

	
		NA:\&nbsp;After the Liberation of the Philippines from Japan, the United Nations sent to the Philippines a number of experts on arts and crafts. For instance, John Resley, a sculptor and Mrs. Murphy, the head of the UN delegation and a relative of American Governor-General Frank Murphy, taught new styles and ideas to upgrade the quality of design in the country. The UN sent all kinds of artists and artisans: painters, sculptors, weavers, etc. Resley taught me how to experiment with wood. Tolentino was more into clay modeling. Resley was a carver. Resley was so fascinated with Philippine wood and I just got hooked on it.
	

	
		Then I moved on and eventually experimented with adobe and other media. Then I wanted to pay tribute to my sister who died at stillbirth. I tried to make a floating coffin for her. I initially did not succeed. Eventually, my experimentations evolved into what became my {\textquotedblleft}buoyant{\textquotedblright} sculptural pieces.
	

	
		\&nbsp;JWC:\&nbsp;After receiving countless awards and citations from the Art Association of the Philippines and elsewhere, the university acknowledged your achievements and appointed you to various administrative positions. Did you ever think of administrative positions as a form of punishment?
	

	
		NA:\&nbsp;On the contrary, they were not a waste of time. They were opportunities to serve the university that nurtured me. Of course, I will always privilege doing something creative but being an artist and administrator at the same time enables you to infuse sensitivity in creating a healthier environment for students, faculty members, and staff.
	

	
		JWC:\&nbsp;Do you see any limitations to your being a sculptor?
	

	
		NA: Writers have a great advantage over visual artists because writers can take down notes anytime, anywhere. Meanwhile, visual artists choose a specific medium to execute an interesting concept.
	

	
		JWC:\&nbsp;Why do some individuals become great artists, while others, unfortunately, do not?
	

	
		NA: The inner drive. A more accomplished artist has inner drive and stamina. Now this is very important. The plight of the artist is somewhat similar to that of the long distance runner. You have to cross the finish line. What counts more in life is the end result. Leonardo da Vinci once said that the greatest tragedy of artists is when theory outstrips performance (laughs). Artists are judged by the end result. Theory is important but concepts must be executed very well for any theory to be realized. The artist must possess the inner drive, passion, and {\textquotedblleft}loneliness{\textquotedblright} of a long distance runner to go very far.
	

	
		JWC:\&nbsp;Are there other reasons why you think you{\textquoteright}ve gone this far?
	

	
		NA:\&nbsp;Luck has something to do with it. Hard work isn{\textquoteright}t enough. The death of my parents maybe. Eventually, I translate emotions and transform these into pieces of wood, marble, clay, and so on.
	

	
		JWC:\&nbsp;What do you consider your most memorable pieces?\&nbsp;At the AAP Contests during the 1950s, {\textquotedblleft}Rice Planting,{\textquotedblright} {\textquotedblleft}Kaganapan,{\textquotedblright} and {\textquotedblleft}Figure{\textquotedblright} won first prizes; {\textquotedblleft}Mother and Child{\textquotedblright} and {\textquotedblleft}Father and Son{\textquotedblright} placed second. You even did the crucifix of the UP Chapel of the Holy Sacrifice. In the 1960s, {\textquotedblleft}Allegorical Harpoon{\textquotedblright} was the Philippine entry during the XXII Venice Biennale and {\textquotedblleft}Unknown Prisoner{\textquotedblright} was exhibited abroad. In the 1970s, {\textquotedblleft}Bagong Buhay{\textquotedblright} and {\textquotedblleft}Manila: The First Years{\textquotedblright} won AAP prizes. You also executed {\textquotedblleft}The Transfiguration.{\textquotedblright} In the 1980s, you did {\textquotedblleft}Siyam na Diwata ng Sining{\textquotedblright} and donated it to my college at UP. Were any of these particularly striking to you?
	

	
		NA: {\textquotedblleft}Rice Planting.{\textquotedblright} I think it now belongs to Ms. Ledesma. I heard it was being exhibited at the Museum of the Filipino People in the old Finance Department Building. I was greatly inspired by the song {\textquotedblleft}Magtanim ay di Biro{\textquotedblright} and the painting depicts two women planting rice with\&nbsp;salakots\&nbsp;on top of their heads and santol trees in the background. I also like {\textquotedblleft}Kaganapan{\textquotedblright} because the form of a pregnant mother depicts the promise of a new life. There were other memorable ones for some reason or another. {\textquotedblleft}The Transfiguration{\textquotedblright} maybe. And the mural I created for the Insular Life Building along Makati Avenue corner Ayala{\textellipsis}
	

	
		JWC:\&nbsp;Which is going to be demolished soon{\textellipsis}
	

	
		NA:\&nbsp;Right. The mural, though, is being removed piece by piece. Soon, the pieces will be put together in the new Insular Life Building in Alabang.
	

	
		JWC:\&nbsp;Any new projects?
	

	
		NA: Many, many projects. The door of a parish chapel, {\textquotedblleft}Diego Silang{\textquotedblright}, and a memory of your friend, Maningning Miclat, who passed away recently. One afternoon, I went to her wake at Funeraria Paz and did her mask. There are many other projects and they are all over my backyard. Some of these (pointing to some pieces) will be brought to Bohol, my home province.
	

	
		JWC:\&nbsp;How do you wish to be remembered?
	

	
		NA:\&nbsp;Perhaps I can share with you my concept of design. I posted it outside my house. The inscription says: {\textquotedblleft}Whatever desire is expressed in form, one conceives in realm of design. The mind in the hand can falter or surpass: if you answer which one and how much was done by love.{\textquotedblright}
	

	
		\&nbsp;
	

},
	url = {http://gwhs-stg02.i.gov.ph/~s2govnccaph/about-culture-and-arts/in-focus/an-interview-with-national-artist-for-sculpture-napoleon-abueva/},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2549,
	title = {Hugging the Shore (poetry)},
	journal = {Sunday Inquirer Magazine },
	number = {11 November},
	year = {2001},
	pages = {7},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2548,
	title = {Inuit Ethnography (poetry)},
	journal = {Philippines Free Press},
	number = {1 December },
	year = {2001},
	pages = {35},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2547,
	title = {Constellation According to the Laws of Chance (poetry)},
	journal = {Sunday Inquirer Magazine },
	number = {9 December },
	year = {2001},
	pages = {7},
	author = {Jose Wendell P. Capili}
}
@article {2791,
	title = {Unang Gabi sa Kiamba (tula)},
	journal = {Tomas},
	volume = {1},
	number = {1},
	year = {2000},
	pages = {7},
	author = {Jose Wendell P. Capili}
}
@article {2595,
	title = {Demolisyon (tula) },
	journal = {Ani (Cultural Center of the Philippines) },
	volume = {26},
	year = {2000},
	pages = {29},
	author = {Jose Wendell P. Capili}
}
@article {2594,
	title = {Algeciras (tula)},
	journal = {Ani (Cultural Center of the Philippines) },
	volume = {26},
	year = {2000},
	pages = {29},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {2581,
	title = {Nina{\textquoteright}s Ascent to the Universe (nonfiction/pop culture)},
	journal = {Philippine Daily Inquirer},
	number = {5 March},
	year = {2000},
	pages = {E12-E11},
	author = {Jose Wendell P. Capili}
}
@inbook {2577,
	title = {Dagta (tula)},
	booktitle = {Ang Aklat Likhaan ng Tula at Maikling Kuwento 1998 (Edited by Aurelio S. Agcaoili and Jose F. Lacaba)},
	year = {2000},
	pages = {36},
	publisher = {University of the Philippines Press},
	organization = {University of the Philippines Press},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@article {2512,
	title = {Solemn Flow: The Poetry of Ophelia Alcantara Dimalanta},
	journal = {Tomas },
	volume = {1},
	number = {2},
	year = {2000},
	pages = {81-88},
	url = {https://web.archive.org/web/20070929132044/http://library.ust.edu.ph/journals/Tomas.pdf},
	author = {Jose Wendell P. Capili}
}
@inbook {1910,
	title = {Soup (poetry)},
	booktitle = {The Likhaan Book of Poetry and Fiction 1998 (J. Neil C. Garcia and Charlson Ong, editors)},
	year = {2000},
	pages = {24},
	publisher = {University of the Philippines Press},
	organization = {University of the Philippines Press},
	address = {1998},
	author = {Jose Wendell P. Capili}
}
@article {678,
	title = {Baguio:  The Demise (poetry)
},
	journal = {The Literary Review (Farleigh Dickinson University)},
	volume = {43},
	number = {3},
	year = {2000},
	pages = {362},
	author = {Jose Wendell P. Capili}
}
@article {677,
	title = {Hakone-Zaiku (poetry)},
	journal = {The Literary Review (Farleigh Dickinson University)},
	volume = {43},
	number = {3},
	year = {2000},
	pages = {361},
	author = {Jose Wendell P. Capili}
}
@article {676,
	title = {Temples (poetry)},
	journal = {The Literary Review (Farleigh Dickinson University)},
	volume = {43},
	number = {3},
	year = {2000},
	pages = {360},
	author = {Jose Wendell P. Capili}
}
@article {675,
	title = {Resentment (poetry)  },
	journal = {The Literary Review (Farleigh Dickinson University)},
	volume = {43},
	number = {3},
	year = {2000},
	pages = {360},
	author = {Jose Wendell P. Capili}
}
@article {674,
	title = {Temples{\textquotedblright} (poetry)},
	journal = {The Literary Review (Farleigh Dickinson University)},
	volume = {43},
	number = {3},
	year = {2000},
	pages = {359},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2578,
	title = {Baguio: The Demise (poetry)},
	journal = {Philippines Free Press (22 May 1999)},
	volume = {90},
	number = {21},
	year = {1999},
	pages = {36},
	author = {Jose Wendell P. Capili}
}
@inbook {2576,
	title = {Talinghaga ng mga Puno (tula)},
	booktitle = {Ang Aklat Likhaan ng Tula at Maikling Kuwento 1997 (Edited by Rolando B. Tolentino and Fidel Rillo)},
	year = {1999},
	pages = {26-27},
	publisher = {University of the Philippines Press},
	organization = {University of the Philippines Press},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@inbook {2575,
	title = {Ohtaue (poetry)},
	booktitle = {A Habit of Shores: Philippine Poetry and Verse from English, 60{\textquoteright}s to the 90{\textquoteright}s (Edited by Gemino H. Abad)},
	year = {1999},
	pages = {453},
	publisher = {University of the Philippines Press},
	organization = {University of the Philippines Press},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@inbook {2574,
	title = {Temples (poetry)},
	booktitle = {A Habit of Shores: Philippine Poetry and Verse from English, 60{\textquoteright}s to the 90{\textquoteright}s (Edited by Gemino H. Abad)},
	year = {1999},
	pages = {454},
	publisher = {University of the Philippines Press},
	organization = {University of the Philippines Press},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@article {692,
	title = {21世紀の日本とアジア諸国との文化交流の展望」},
	journal = {Le Spirit D{\textquoteright}Aujourd{\textquoteright}hui (Tokyo: Shibundo Co. Ltd.)},
	volume = {4},
	year = {1999},
	pages = {108-115},
	author = {カピリ・ ホセ}
}
@magazinearticle {2666,
	title = {Dagta (tula)},
	journal = {Mirror Weekly (Marra PL Lanot, literary editor)},
	number = {13 April },
	year = {1998},
	pages = {43},
	author = {Jose Wendell P. Capili}
}
@article {2511,
	title = {Displacement and Reterritorializations: Japanese Immigrant Poetry in the United States},
	journal = {Unitas},
	volume = {71},
	number = {1},
	year = {1998},
	pages = {7-82},
	url = {https://ustdigitallibrary.contentdm.oclc.org/digital/collection/unitas/id/54246},
	author = {Jose Wendell P. Capili}
}
@article {2510,
	title = {Short Circuit: Expatriate Themes in Philippine Poetry in English },
	journal = {Diliman Review},
	volume = {46},
	number = {3-4},
	year = {1998},
	pages = {41-47},
	author = {Jose Wendell P. Capili}
}
@book {540,
	title = {A Madness of Birds\&nbsp;},
	year = {1998},
	pages = {76},
	publisher = {University of the Philippines Press},
	organization = {University of the Philippines Press},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2967,
	title = {Pabrika (tula)},
	journal = {Filipino Magazin},
	number = {14 April},
	year = {1997},
	pages = {24},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2965,
	title = {Talinghaga ng mga Puno (tula)},
	journal = {Filipino Magazin},
	number = {14 April},
	year = {1997},
	pages = {24},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2964,
	title = {Morpina sa Kiamba (tula)},
	journal = {Filipino Magazin},
	number = {14 April},
	year = {1997},
	pages = {24},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2674,
	title = {Constellation According to the Laws of Chance (poetry)},
	journal = {Philippines Free Press},
	number = {18 January },
	year = {1997},
	pages = {46},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2673,
	title = {The Last Monumental Soviet Art (poetry)},
	journal = {Philippines Free Press},
	number = {18 January },
	year = {1997},
	pages = {46},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {2672,
	title = {Hometown (poetry)},
	journal = {Philippine Collegian},
	number = {24 February},
	year = {1997},
	pages = {6},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2671,
	title = {Regenerations (poetry)},
	journal = {Philippine Graphic (Nick Joaquin and Marra PL Lanot, literary editors)},
	number = {25 March },
	year = {1997},
	pages = {34},
	author = {Jose Wendell P. Capili}
}
@article {2670,
	title = {Hometown (poetry)},
	journal = {Sidhaya (Philippine Collegian Literary Folio)},
	number = {1996-1997},
	year = {1997},
	pages = {28},
	author = {Jose Wendell P. Capili}
}
@article {2669,
	title = {Hakone-Zaiku (poetry)},
	journal = {Philippines Free Press},
	number = {13 December },
	year = {1997},
	pages = {46},
	author = {Jose Wendell P. Capili}
}
@article {2668,
	title = {Resentment (poetry)},
	journal = {Mantala: A Quarterly Journal of Philippine Literature (National Committee on Literary Arts, National Commission for Culture and the Arts)},
	volume = {1},
	number = {2},
	year = {1997},
	pages = {129},
	author = {Jose Wendell P. Capili}
}
@article {2667,
	title = {Pretension on a River (poetry)},
	journal = {Mantala: A Quarterly Journal of Philippine Literature (National Committee on Literary Arts, National Commission for Culture and the Arts)},
	volume = {1},
	number = {2},
	year = {1997},
	pages = {128},
	author = {Jose Wendell P. Capili}
}
@article {2665,
	title = {Remembering the Dead (poetry)},
	journal = {The Poet{\textquoteright}s Voice (University of Salzburg, Austria - Fred Beake, Wolfgang Gortschacher and James Hogg; editors)},
	volume = {4},
	number = {1 (Summer 1997)},
	year = {1997},
	pages = {61},
	author = {Jose Wendell P. Capili}
}
@article {2664,
	title = {Resentment (poetry)},
	journal = {The Poet{\textquoteright}s Voice (University of Salzburg, Austria - Fred Beake, Wolfgang Gortschacher and James Hogg; editors)},
	volume = {4},
	number = {1 (Summer 1997)},
	year = {1997},
	pages = {61},
	author = {Jose Wendell P. Capili}
}
@article {2663,
	title = {Velvet Sleep (poetry)},
	journal = {Sands and Coral (Silliman University)},
	year = {1997},
	pages = {19},
	author = {Jose Wendell P. Capili}
}
@article {2662,
	title = {Water Sprite (poetry)},
	journal = {Sands and Coral (Silliman University)},
	year = {1997},
	pages = {18},
	author = {Jose Wendell P. Capili}
}
@inbook {1911,
	title = {Talinghaga ng mga Puno (tula)},
	booktitle = {Ang Aklat Likhaan ng Tula at Maikling Kuwento (Fidel Rillo at Roland B. Tolentino, mga editor)},
	year = {1997},
	pages = {26},
	publisher = {University of the Philippines Press},
	organization = {University of the Philippines Press},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@inbook {1909,
	title = {Birds (poetry)},
	booktitle = {The Likhaan Book of Poetry and Fiction 1996 (Jose Y. Dalisay Jr. and Ricardo M. de Ungria, editors)},
	year = {1997},
	pages = {43},
	publisher = {University of the Philippines Press},
	organization = {University of the Philippines Press},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@inbook {627,
	title = {The Relocalization of Japanese Immigrants in Davao (1901-1946) },
	booktitle = {Image and Reality: Philippine-Japan Relations towards the 21st Century by Rolando S. de la Cruz},
	year = {1997},
	pages = {137-186},
	publisher = {Institute of International Legal Studies, University of the Philippines Law Center},
	organization = {Institute of International Legal Studies, University of the Philippines Law Center},
	address = {Quezon City},
	url = {https://web.archive.org/web/20071001044414/http://www.ndl.go.jp/jp/publication/books_on_japan/boj_b_200504-06_A.html},
	author = {Jose Wendell P. Capili}
}
@article {2758,
	title = {Ember (poetry)},
	journal = {Anagram (the Asian interest literary magazine of  Johns Hopkins University)},
	volume = {3.2},
	year = {1996},
	author = {Jose Wendell Capili}
}
@article {2757,
	title = {{\textquotedblleft}Resentment{\textquotedblright} (poetry)},
	journal = {Anagram (the Asian interest literary magazine of  Johns Hopkins University)},
	volume = {3.2},
	year = {1996},
	url = {https://web.archive.org/web/20060907213030/http://www.jhu.edu/anagram/},
	author = {Jose Wendell Capili}
}
@article {2678,
	title = {Mazarine (poetry)},
	journal = {Flame (Faculty of Arts and Letters, University of Santo Tomas)},
	year = {1996},
	pages = {31},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {2675,
	title = {Mindanao in Motion (review of Mindanao Harvest: An Anthology of Contemporary Writing, Volume 2, Jaime An Lim and Christine Godinez Ortega, editors)},
	journal = {Evening Paper },
	number = {22-24 November},
	year = {1996},
	pages = {21},
	author = {Jose Wendell P. Capili}
}
@article {2580,
	title = {Ember (poetry)},
	journal = {Anagram (Johns Hopkins University)},
	volume = {3},
	number = {2},
	year = {1996},
	author = {Jose Wendell P. Capili}
}
@article {2579,
	title = {Resentment (poetry)},
	journal = {Anagram (Johns Hopkins University)},
	volume = {3},
	number = {2 },
	year = {1996},
	author = {Jose Wendell P. Capili}
}
@inbook {679,
	title = {Cadenza (poetry)},
	booktitle = {Flippin{\textquoteright}:  Filipinos on America (Eric Gamalinda and Luis Francia, editors)},
	year = {1996},
	pages = {326},
	publisher = { Asian American Writers{\textquoteright} Workshop},
	organization = { Asian American Writers{\textquoteright} Workshop},
	address = {New York},
	author = {Jose Wendell P. Capili}
}
@mastersthesis {554,
	title = {The relocalisation of Japanese immigrants in Davao, Southern Philippines\&nbsp;},
	year = {1996},
	type = {MPhil thesis},
	abstract = {Subjects
Davao (Philippines) -- Emigration and immigration.
Japan -- Emigration and immigration.
Japanese -- Philippines -- Davao -- History -- 20th century.
Ethnology -- Philippines -- Davao.
Publication Info
Format:  Books Books
Publication info: 1996. 
Physical details: 72, [29] leaves : ill., maps ; 27 cm. 
OCLC: ocm42394567
144 pages
Notes
Thesis (Master of Philosophy)--University of Cambridge, 1996.

Includes bibliographical references (leaves [73]-[77).

http://search.lib.cam.ac.uk/?itemid=|depfacfmdb|110769
http://search.library.wisc.edu/catalog/ocm42394567},
	author = {Jose Wendell P. Capili}
}
@article {2683,
	title = {後戻りと前進：日本のフィリピンのオデッセイ},
	journal = {東京大学国際センターニュース},
	number = {6 (February)},
	year = {1995},
	pages = {6-7},
	author = {カピリ・ ホセ}
}
@magazinearticle {2682,
	title = {Waiting for {\textquoteright}Chali{\textquoteright} (essay, on novelist Charlson Ong in Japan)},
	journal = {Philippines Free Press},
	number = {27 May},
	year = {1995},
	pages = {38},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2681,
	title = {Bukod-tanging Pinay sa Japan (sanaysay)},
	journal = {Filipino Magazin},
	number = {29 May},
	year = {1995},
	pages = {18},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2680,
	title = {Babaeng Kahanga-hanga (sanaysay, tungkol kay Joi Barrios bilang manunulat at mananaliksik sa Unibersidad ng Hannam, Korea)},
	journal = {Filipino Magazin},
	number = {11 September},
	year = {1995},
	pages = {21},
	author = {Jose Wendell P. Capili}
}
@article {2676,
	title = {日系アメリカ人とフィリピン系アメリカ人の詩における移民のテーマ},
	journal = { 東部研究の国際会議のトランザクション ( 東京：東方学会)},
	volume = {XL },
	year = {1995},
	pages = {239-240},
	author = {カピリ・ ホセ}
}
@article {2602,
	title = {Shivers},
	journal = {Caracoa (95 - Gaudeamus)},
	year = {1995},
	pages = {128},
	author = {Jose Wendell P. Capili}
}
@article {2601,
	title = { 
Birds (poetry)
 
 
 },
	journal = {Caracoa (95 - Gaudeamus)},
	year = {1995},
	pages = {128},
	author = {Jose Wendell P. Capili}
}
@article {2600,
	title = {Cadenza (poetry) },
	journal = {Caracoa (95 - Gaudeamus)},
	year = {1995},
	pages = {127},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {2583,
	title = {Learning from Japan},
	journal = {Korea Times},
	number = {August},
	year = {1995},
	pages = {6},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {2582,
	title = {Filipinos, Koreans and Diversity},
	journal = {Korea Herald},
	number = {30 June},
	year = {1995},
	pages = {6},
	author = {Jose Wendell Capili}
}
@newspaperarticle {2570,
	title = {Filipinos in Japan: The Other Side},
	journal = {Philippine Daily Inquirer},
	number = {29 October},
	year = {1994},
	pages = {D3},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2701,
	title = {Requiem for Requiestas},
	journal = {Philippines Free Press (7 August)},
	number = {7 August},
	year = {1993},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2700,
	title = {The Oscars and the FAP Awards: And the Winners Are...?},
	journal = {Philippines Free Press (24 April)},
	year = {1993},
	author = {Jose Wendell P. Capili}
}
@mastersthesis {553,
	title = {Displacement and Reterritorialization in Philippine expatriate poetry in English in the United States, 1972-1992},
	year = {1993},
	type = {MA thesis},
	abstract = {Expatriate poets -- Philippines, Criticism, Filipino American poets, Philippine poetry (English)

http://www.elib.gov.ph/details.php?uid=5af703cb5d8ecbd214516441fff9b060},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {2702,
	title = {Algeciras (tula)},
	journal = {Dyaryo Filipino },
	number = {29 August},
	year = {1992},
	pages = {5},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2569,
	title = {A teacher{\textquoteright}s tragedy (nonfiction)},
	journal = {Manila Chronicle Magazine },
	number = {26 September-2 October },
	year = {1992},
	pages = {32},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {2568,
	title = {Postscript to this year{\textquoteright}s Palanca Memorial Awards},
	journal = {Manila Chronicle },
	number = {8 September },
	year = {1992},
	pages = {15-16},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {2567,
	title = {Visions in a closet (Review of JN Garcia{\textquoteright}s poetry collection, Closet Quivers)},
	journal = {Manila Chronicle },
	number = {1 September },
	year = {1992},
	pages = {14-16},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2694,
	title = {To a Metro Aide along Espana (poetry)},
	journal = {Katipunan (NVM Gonzalez, editor)},
	number = {December 1990-January 1991},
	year = {1991},
	pages = {18},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {2693,
	title = {Paramdam (tula)},
	journal = {Dyaryo Filipino },
	number = {11 May},
	year = {1991},
	pages = {5},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {2692,
	title = {Padasal (tula)},
	journal = {Dyaryo Filipino },
	number = {22 May},
	year = {1991},
	pages = {6},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {2690,
	title = {Destroying Historical Legacy (commentary) },
	journal = {Philippine Daily Inquirer },
	number = {18 June },
	year = {1991},
	pages = {5},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {2689,
	title = {Sa Pagitan ng Talayan at ni Paul Klee (tula)},
	volume = {69},
	number = {14 (19 September)},
	year = {1991},
	pages = {6 },
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2688,
	title = {Coming Home (poetry)},
	journal = {Philippine Panorama},
	number = {15 September },
	year = {1991},
	pages = {4},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {2686,
	title = {Dagta (tula)},
	journal = {Dyaryo Filipino },
	number = {2 October},
	year = {1991},
	pages = {6},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {2685,
	title = {Ulan (tula)},
	journal = {Dyaryo Filipino },
	number = {2 October},
	year = {1991},
	pages = {6},
	author = {Jose Wendell P. Capili}
}
@article {2598,
	title = {An Essence of Grandma (poem)},
	journal = {Caracoa (Silver Edition)},
	number = {25},
	year = {1991},
	pages = {42-43},
	author = {Jose Wendell P. Capili}
}
@article {2698,
	title = {Dalakdak: Isang Paghahasik mula sa isang Manunulat},
	journal = {Daluyan (UP Sentro ng WIkang Filipino)},
	number = {July-August},
	year = {1990},
	pages = {9},
	author = {Jose Wendell P. Capili}
}
@article {2697,
	title = {Kuliglig:  Paglusob sa mga Kahangalan ng mga Kulisap laban sa Filipino Bilang Wikang Pambansa},
	journal = {Daluyan (UP Sentro ng WIkang Filipino)},
	number = {September-November},
	year = {1990},
	pages = {21},
	author = {Jose Wendell P. Capili}
}
@inbook {2696,
	title = {June Bride },
	booktitle = {Ang Pagiging Babae Ay Pamumuhay Sa Panahon ng Digma (mga tula ni Joi Barrios)},
	year = {1990},
	pages = {107},
	publisher = {Babaylan Women{\textquoteright}s Collective, St. Scholastica{\textquoteright}s College},
	organization = {Babaylan Women{\textquoteright}s Collective, St. Scholastica{\textquoteright}s College},
	address = {Manila},
	author = {Jose Wendell P. Capili}
}
@inbook {2695,
	title = {To Puri and Dolly Montero of the Novel Mga Ibong Mandaragit (translation) },
	booktitle = {Ang Pagiging Babae Ay Pamumuhay Sa Panahon ng Digma (mga tula ni Joi Barrios)},
	year = {1990},
	pages = {71-73},
	publisher = {Babaylan Women{\textquoteright}s Collective, St. Scholastica{\textquoteright}s College},
	organization = {Babaylan Women{\textquoteright}s Collective, St. Scholastica{\textquoteright}s College},
	address = {Manila},
	author = {Jose Wendell P. Capili}
}
@article {2691,
	title = {Ang UP bilang unibersidad ng ilang mga pagong},
	journal = {Daluyan (UP Sentro ng WIkang Filipino)},
	number = {Marso-Agosto},
	year = {1990},
	pages = {53-54},
	author = {Jose Wendell P. Capili}
}
@article {2566,
	title = {Bonding (poetry)},
	journal = {Solidarity (Southeast Asian Magazine of Ideas, Culture and the Arts)},
	number = {April-June },
	year = {1990},
	pages = {88},
	author = {Jose Wendell P. Capili}
}
@article {2565,
	title = {Spoon (poetry)},
	journal = {Solidarity (Southeast Asian Magazine of Ideas, Culture and the Arts)},
	number = {January-March },
	year = {1990},
	pages = {16},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2564,
	title = {Spilled Ink Elegy (poetry)},
	journal = {Starweek (Philippine Star) },
	number = {6 May },
	year = {1990},
	pages = {12},
	author = {Jose Wendell P. Capili}
}
@article {2563,
	title = {An Essence of Grandma (poetry)},
	journal = {Caracoa },
	volume = {22},
	number = {January-March },
	year = {1990},
	pages = {57},
	author = {Jose Wendell P. Capili}
}
@newspaperarticle {2562,
	title = {Tragic, Light, Crafted (Review of Fidelito Cortes{\textquoteright}s poetry collection, Waiting for the Exterminator)},
	journal = {Philippine Daily Globe},
	number = {12 March },
	year = {1990},
	pages = {13}
}
@inbook {2560,
	title = {Kadiri to Death: Bilingualism Among Today{\textquoteright}s Young Poets},
	booktitle = {Towards a National Culture },
	year = {1990},
	pages = {53-54},
	publisher = {Department of English and Comparative Literature, University of the Philippines},
	organization = {Department of English and Comparative Literature, University of the Philippines},
	address = {Quezon City},
	author = {Jose Wendell P. Capili}
}
@article {2561,
	title = {Old One (poetry)},
	journal = {Ani (Cultural Center of the Philippines) },
	volume = {III},
	number = {3},
	year = {1989},
	pages = {101},
	author = {Jose Wendell P. Capili}
}
@article {2559,
	title = {Between Talayan and Paul Klee (poetry)},
	journal = {Caracoa},
	volume = {21},
	number = {January-March },
	year = {1989},
	pages = {24-25},
	author = {Jose Wendell P. Capili}
}
@article {2558,
	title = {Praying Mantis (poetry)},
	journal = {Caracoa},
	volume = {21},
	number = {January-March},
	year = {1989},
	pages = {25},
	author = {Jose Wendell P. Capili}
}
@magazinearticle {2557,
	title = {Toast to Life (Review of Ophelia Alcantara Dimalanta{\textquoteright}s poetry collection, Flowing On)},
	journal = {Sunday Inquirer Magazine },
	number = {2 April },
	year = {1989},
	author = {Jose Wendell P. Capili}
}
@article {2556,
	title = {Asphyxia (poetry)},
	journal = {Ani (Cultural Center of the Philippines - Literature for children issue, edited by Rene O. Villanueva and Karina Africa Bolasco)},
	volume = {III},
	number = {1},
	year = {1989},
	pages = {136},
	author = {Jose Wendell P. Capili}
}
@article {2555,
	title = {Sic Transit Gloria Mundi (poetry)},
	journal = {Ani (Cultural Center of the Philippines - literature for children issue, edited by Rene O. Villanueva and Karina Africa Bolasco)},
	volume = {III},
	number = {1},
	year = {1989},
	pages = {137},
	author = {Jose Wendell P. Capili}
}
@mastersthesis {2808,
	title = {Philippine Literary Arts Council (PLAC) Political Poems, 1983-1986},
	year = {1988},
	type = {Bachelor of Arts thesis},
	author = {Jose Wendell P. Capili}
}
@article {2554,
	title = {A Tale of Spiders (poetry)},
	journal = {Solidarity (Southeast Asian Magazine of Ideas, Culture and the Arts)},
	number = {July-September },
	year = {1988},
	pages = {74 },
	author = {Jose Wendell P. Capili}
}
@article {2597,
	title = {Lullaby (poetry)},
	journal = {Caracoa},
	number = {16},
	year = {1987},
	pages = {45},
	author = {Jose Wendell P. Capili}
}
@article {2553,
	title = {Radius of Connubial Woe (poetry)},
	journal = {Caracoa},
	volume = {16},
	year = {1987},
	pages = {44},
	author = {Jose Wendell P. Capili}
}
@article {2552,
	title = {Elegeia (poetry)},
	journal = {Caracoa},
	volume = {14},
	year = {1987},
	pages = {15-16},
	author = {Jose Wendell P. Capili}
}
