<style face="normal" font="default" size="100%">From Revolution to Figuration: A Genealogy of Protest Performances in the Philippines</style>

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<style face="normal" font="default" size="100%">From Revolution to Figuration: A Genealogy of Protest Performances in the Philippines</style>

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<style face="normal" font="default" size="100%">Greeting the Virgin Mary: The Dancerly Attitudes of the <em>Bati </em>in <em>Salubong</em></style>

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<style face="normal" font="default" size="100%">The Philippine Performance Archive on Cultural Performances: The Archive as a Performative Cultural Memory and Pedagogy</style>

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<style face="normal" font="default" size="100%">Performing Human Rights: <em>Pista Rizalina’s </em>Interrogation of Martial Law, Extra Judicial-Killings and Historical Revisionism at the Cultural Center of the Philippines</style>

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<style face="normal" font="default" size="100%">Annotation/Review of "The Comedia (Moro-Moro) Re-Discovered by Felicidad M. Mendoza"</style>

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<style face="normal" font="default" size="100%">Philippine Theater During the Fifth Republic (1986 Onward)</style>

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<style face="normal" font="default" size="100%">Tubong (Forms and Types)</style>

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<style face="normal" font="default" size="100%">Street Theatre (Forms and Types)</style>

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<style face="normal" font="default" size="100%">Training in Theater</style>

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<style face="normal" font="default" size="100%">Bodies and/in Performance Research</style>

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<style face="normal" font="default" size="100%">Where is the Crown? : Dancing the <em>Putong/Tubong </em>on Stage</style>

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<style face="normal" font="default" size="100%">Choreomundus / Craig / Fanny</style>

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<style face="normal" font="default" size="100%">Tubong/Putong as a Ritual of Healing, Thanksgiving, and Veneration</style>